This project was first presented in 2016 in Boulder, Colorado. Images remain property of Connor Hesen. Prints available on request.

Site // Teller Lake Number 5

Non-site // University of Colorado Visual Arts Complex

Artist Statement

Invasive: Chaos and Order

"Invasive" is an environmental art project inspired by the concept of "Site / Non-Site," developed by Robert Smithson, a pioneer of Land art in the 1960s. A Site is a location outside the gallery, where the natural materials are collected and documented. A Non-Site is a body of objects and documentation inside the gallery, where the natural materials are transformed and displayed as sculpture.

The project is centered around Teller Lake #5, a location where human intervention has disrupted the natural balance of the ecosystem. Uneasy yet harmonious, eerie yet relaxing. Tall trees invade the path leading to the lake and begin to take over. Broken glass protrudes into walkways. Large slabs of concrete displaced on the beach. In 2013, goldfish are introduced to the lake by man, multiplying rapidly and threatening native species. The ecosystem is broken and infested. Man begins to plot solutions to this problem. In 2015, hungry pelicans arrive and consume most of the goldfish, restoring order to the lake without human intervention. Nature wins again.

The Site features large slabs of concrete on the beach, presumably left by human activity. One of these slabs is in perfect alignment with the lake, creating an unexpected visual connection.

The Non-Site of this project is located in the University of Colorado Visual Arts Complex stairwell, where the materials and impressions from the Site are reinterpreted and re-contextualized.

The Non-Site consists of the concrete slab found at Teller Lake, with a circular dirt ring, representing the slab and the circle found at the Site. The slab is raised off the floor by a cinder block, offering an abstract view of the piece from above. The work also includes photographs and maps of the Site, as well as samples from the area and an eerie audio-track ringing through the echoey space.

"Invasive" delves into the complex relationship between humans and nature by examining the impact of human intervention on Teller Lake #5. The project highlights the tension between the natural and artificial, and encourages viewers to think about the consequences of our actions on the environment. By exploring this issue, "Invasive" invites us to consider the delicate balance between nature and human activity, and how our choices can have far-reaching effects on the world around us.

Additional Photos

Originally published in 2016 by Connor Hesen.

Republished to habla.news/u/hes@nostrplebs.com on 6/30/2024 with slight edits.

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Lightning Storefront

(Box) pallet, pallet wood, spray paint, nails [48” x 24” x 24”]

This project was first presented in 2016 in Boulder, Colorado. Images remain property of Connor Hesen. Prints available on request.

Artist Statement

Quarantine: Examining the Impact of Globalization

“Quarantine” examines one node in the complex network of human globalization. The work reflects on the repercussions of global trade and encourages discussion about the benefits - and tradeoffs - that globalization has brought the human species.

At the core of the project lies the Emerald Ash Borer (EAB), an invasive insect that has left a trail of devastation across millions of ash trees in the United States. Native to Asia, the EAB hitchhiked its way onto American soil through wooden packing materials. It made its debut in Boulder in 2013 - threatening the existence of nearly 100,000 ash trees in the area. To curb further spread, the federal government imposed a quarantine on all ash wood from affected regions.

As one contemplates the interplay between the various elements of the piece, they should aim to explore their own moral frameworks and seek to dive deeper into questions on progress, connection, and preservation.

“Quarantine” is presented through two elements, each narrating a unique chapter of this ecological saga:

The ash wood panel aims to mimic the characteristics of the EAB’s destruction. The panel is adorned with a font that mimics the signs of infestation and illustrates the relentless assault this tiny creature is causing.

The text is rendered in midnight black, creating a deliberate contrast to that of which it lies—a dialogue between organic and artificial. The word “Quarantine” is displayed as the focal point of the panel to demonstrate a literal interpretation of ‘quarantine on ash’. As viewers engage with the panel they confront the dual forces. Nature’s vulnerabilities and humanity’s impact.

The box stands as a tangible representation of the method of infestation. It symbolizes not only containment, but also the globalized trade that facilitated the EAB’s journey in the first place. Its worn and gritty appearance mirrors the ecological (and economic) damages caused by this innocuous-seeming insect. On one side of the box, a bright red symbol hints at a potential warning to the destination of the ill-fated crate. The top reads 'destruction' in all bold caps. Something feels off.

Globalization, while propelling forward incredible human progress and prosperity, has also created undeniable disruptions to ecosystems and biodiversity around the globe. The EAB saga serves as just one case study into the larger topic at hand, revealing the unintended consequences of our interconnected world.

Additional Photos

Originally published in 2016 by Connor Hesen.

Republished to habla.news/u/hes@nostrplebs.com on 2/27/2024 with slight edits.

Find more of my work at connorhesen.net